
The Family of William Cavendish, Marquess of Newcastle-upon-Tyne
Peeter Clouwet (d. 1670)
1656 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
742 ms. The Metropolitan Museum of Art, Collection API (Open Access)
266 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 60 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Family of William Cavendish, Marquess of Newcastle-upon-Tyne
Peeter Clouwet (d. 1670)
1656 · Engraving
Cleared · Public Domain
live
Vanity Fair: Statesman, No. 128 "Newcastle-on-Tyne"
James Tissot (d. 1902)
1872 · Print, color lithograph
Cleared · CC0
live
Newcastle on Tyne
Roger Fenton (d. 1819)
1850s · Albumen silver print from glass negative
Cleared · Public Domain
live
Newcastle at Night from the Rabbit Banks, Gateshead
George Price Boyce (d. 1897)
1864 · Watercolor heightened with gouache (bodycolor) and reductive techniques
Cleared · Public Domain
live
Cattle at a watering hole in a valley
John Henry Mole (d. 1886)
1846–86 · Watercolor over graphite with gouache (bodycolor) and reductive techniques
Cleared · Public Domain
live
Two Hares
William Bell Scott (d. 1890)
1865–90 · Gouache (bodycolor), heightened with gum arabic
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Trade card of Inigo Vonholte, Fine Waters, at the Key Side, Newcastle-upon-Tyne
Inigo Vonholte
ca. 1700–30 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Newcastle-on-Tyne
W. Wetherall
1850s · Salted paper print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Newcastle in Emlyn (La Teivy, à Newcastle in Emlyn (Pays de Galles))
Sir Francis Seymour Haden (d. 1910)
1864 · Etching and drypoint, touched; first (final) state (Harrington); second state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Newcastle in Emlyn (La Teivy, à Newcastle in Emlyn (Pays de Galles))
Sir Francis Seymour Haden (d. 1910)
1864 · Etching with drypoint; first state of two (Harrington); second state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Newcastle
Edward Alexander Wadsworth (d. 1949)
1913 · Woodcut on colored paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Newcastle
Bill Brandt (d. 1983)
1937 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.