No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oxfords
Thomas
ca. 1927 · leather
In copyright
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
633 ms. The Metropolitan Museum of Art, Collection API (Open Access)
444 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 658 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oxfords
Thomas
ca. 1927 · leather
In copyright
live
Leaf from a Latin Bible: Initial P: St. Paul with a Sword and a Book
William de Brailes (d. 1230)
c. 1230–40 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oxfords
Thomas
ca. 1927 · Leather
In copyright
live
Triple Unite or Three Pound Piece: Charles I (obverse); Declaration on Scroll (reverse)
Unrecorded maker
1643 · Coins, gold
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oxfords
Unrecorded maker
1920s · leather
In copyright
live
Triple Unite or Three Pound Piece: Charles I (obverse); Declaration on Scroll (reverse)
Unrecorded maker
1644 · Coins, gold
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oxfords
Hurd Shoe Co.
1940–49 · leather
In copyright
live
Ancient Door, Magdalen College, Oxford
William Henry Fox Talbot (d. 1877)
1843 · Photograph, salted paper print from calotype negative
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oxfords
Unrecorded maker
early 20th century · leather
In copyright
live
Leaf from a Book of Hours: Text with Illustrated Border (verso)
Unrecorded maker
c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oxfords
Unrecorded maker
20th century · leather
In copyright
live
The Countess of Oxford
Samuel William I Reynolds (d. 1835)
1799 · Print, mezzotint, etching and drypoint
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.