
Bois de Dattiers et de Doums, à Hamarneh
Maxime Du Camp (d. 1894)
1849–50 · Salted paper print from paper negative
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
463 ms. The Metropolitan Museum of Art, Collection API (Open Access)
640 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,529 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bois de Dattiers et de Doums, à Hamarneh
Maxime Du Camp (d. 1894)
1849–50 · Salted paper print from paper negative
Cleared · Public Domain
live
Palmiers Doums à Hamarneh
Maxime Du Camp (d. 1894)
1849–50 · Salted paper print from paper negative
Cleared · Public Domain
live
Palms
William Trost Richards (d. 1905)
1855 · Graphite on off-white wove paper
Cleared · Public Domain
live
Sugar-Palms Petchaburi Siam
John Thomson (d. 1921)
1865 · Albumen silver print from glass negative
Cleared · Public Domain
live
Sago Palms
Unknown
1860s–70s · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bali, Bazaar with Coconut Palms
Maurice Sterne (d. 1957)
1912 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Palms
John Singer Sargent (d. 1925)
After 1895 (1917?) · Graphite on off-white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Palms, Cairns, Mulgrove. Queensland, Australia]
George Steveton
1900s–1910s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Distant mosque with palms and two figures
Unrecorded maker
ca.1920 · Glass, emulsion
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cocoa Palms, Hawaii
Mary J. Coulter (d. 1966)
1918–35 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sea Palms
Wynn Bullock (d. 1975)
1968, printed 1973 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
50, Dry Palms
Chris Ofili (d. 9999)
2009 · 50 drypoint prints on Japanese surface Gampi
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.