Stand for an Offering Basin with the Name of King Khafre
Unrecorded maker
ca. 2520–2494 BCE · Gneiss
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
1168 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,033 matching records exist across the two collections.
Results for "Placing of the first stone for the churc"12 records
Institutions answered newest-first by record, interleaved
Stone Chisel
Unrecorded maker
before 16th century · Stone
Cleared · Public Domain
liveThe MetSimilar
Stone Chisel
Unrecorded maker
before 16th century · Stone
Cleared · Public Domain
liveThe MetSimilar
Stone Chisel
Unrecorded maker
before 16th century · Stone
Cleared · Public Domain
liveThe MetSimilar
Stone Chisel
Unrecorded maker
before 16th century · Stone
Cleared · Public Domain
liveThe MetSimilar
Stone Chisel
Unrecorded maker
before 16th century · Stone
Cleared · Public Domain
liveThe MetSimilar
Placing of the first stone for the church of Saint Genevieve
Gabriel de Saint-Aubin (d. 1780)
1766 · Etching
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Miniature Stone Vessel
Unrecorded maker
ca. 2150–2100 B.C. · Travertine (Egyptian alabaster)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Miniature Stone Vessel
Unrecorded maker
ca. 2150–2100 B.C. · Travertine (Egyptian alabaster)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing drawings, prints, manuscript pages and newspaper clippings
Marcus Clayton Stone (d. 1921)
1850–80 · Watercolor, pen and ink, wood engraving, engraving, printed text
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Femmes
Sasha Stone (d. 1940)
1933 · Photogravures
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the stone for plate 7 of the Mayan book, the 'Popol-vuh'
Carlos Mérida (d. 1984)
ca. 1943 · Pen on tracing paper
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.