
Vase with cover
Imperial Court Workshop, Prague
mid-17th century · Rock crystal, gold, enamel, gems
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
317 ms. The Metropolitan Museum of Art, Collection API (Open Access)
401 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 309 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Vase with cover
Imperial Court Workshop, Prague
mid-17th century · Rock crystal, gold, enamel, gems
Cleared · Public Domain
live
Bifolio from an Antiphonary: Historiated Initial O with the Nativity
Unrecorded maker
early 1400s · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live
Prague, from "German Views"
Wenceslaus Hollar (d. 1677)
1652–77 · Etching; second state of two
Cleared · Public Domain
live
Sketch for "The Assumption of the Virgin" (for St. James, Zbraslav, near Prague)?
Giovanni Battista Piazzetta (d. 1754)
c. 1744 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman from Prague (Mulier Pragensis)
Wenceslaus Hollar (d. 1677)
1643 · Etching; second state of three
In copyright
live
Red-Figure Kantharos (Drinking Cup): Female Heads
Prague Group
330–320 BCE · Ceramic, ceramic
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prague (Charles Bridge)
Wenceslaus Hollar (d. 1677)
1665 · Etching; first state of two
In copyright
live![Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The Trinity by an unrecorded maker, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/1949.537/1949.537_web.jpg)
Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The Trinity
Unrecorded maker
c. 1410 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prague
Wenceslaus Hollar (d. 1677)
1652–77 · Etching; only state
In copyright
live
Two Bohemian Peasants in Half-Length
Roelant Savery (d. 1639)
c. 1600 · Drawing, Pen and light- and dark-brown inks over preliminary drawing in black chalk; framing lines in pen and brown ink
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Photographs: 4 East 68th Street, New York
John G. Prague (d. 1915)
1870–1900 · Photograph
In copyright
live
Virgin Nursing the Christ Child
Unrecorded maker
c. 1370 · Sculpture, painted limestone
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.