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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    237 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    325 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Preparedness"9 records

Institutions answered newest-first by record, interleaved

Tethered Hawks by Soga Chokuan, The Metropolitan Museum of Art

Tethered Hawks

Soga Chokuan (d. 1615)

before 1606 · Twelve paintings mounted as a pair of six-panel folding screens; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Plate 8: Gad by Jacob de Gheyn II, The Cleveland Museum of Art

Plate 8: Gad

Jacob de Gheyn II (d. 1629)

c. 1589 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Parable of the Wise and Foolish Virgins by William Blake, The Metropolitan Museum of Art

The Parable of the Wise and Foolish Virgins

William Blake (d. 1827)

ca. 1799–1800 · Watercolor, pen and black ink, brush and wash, over graphite

Cleared · Public Domain

live
The MetSimilar
Winchelsea Sussex, part VIII, plate 42 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Winchelsea Sussex, part VIII, plate 42 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

April 23, 1812 · Etching and mezzotint; first state of three (Finberg)

Cleared · Public Domain

live
The MetSimilar
Grand Fantastical Parade, New-York, December 2, 1833 by David Claypoole Johnston, The Metropolitan Museum of Art

Grand Fantastical Parade, New-York, December 2, 1833

David Claypoole Johnston (d. 1865)

1833 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

10028--Preparedness--Sammies on Guard at Roosevelt Irrigation Dam, near Pheonix, Arizona

Unknown

1860s–80s · Albumen silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Preparedness

Paul Wayland Bartlett (d. 1925)

1915–16, cast 1916 · Bronze

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nkisi (power figure) with dog and rider

Kongo artist and nganga (ritual specialist)

19th–first half of 20th century · Wood, resin, glass, pigment

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.