
Tethered Hawks
Soga Chokuan (d. 1615)
before 1606 · Twelve paintings mounted as a pair of six-panel folding screens; ink and color on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
237 ms. The Metropolitan Museum of Art, Collection API (Open Access)
325 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tethered Hawks
Soga Chokuan (d. 1615)
before 1606 · Twelve paintings mounted as a pair of six-panel folding screens; ink and color on paper
Cleared · Public Domain
live
Plate 8: Gad
Jacob de Gheyn II (d. 1629)
c. 1589 · Print, engraving
Cleared · CC0
live
The Parable of the Wise and Foolish Virgins
William Blake (d. 1827)
ca. 1799–1800 · Watercolor, pen and black ink, brush and wash, over graphite
Cleared · Public Domain
live
Winchelsea Sussex, part VIII, plate 42 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
April 23, 1812 · Etching and mezzotint; first state of three (Finberg)
Cleared · Public Domain
live
Grand Fantastical Parade, New-York, December 2, 1833
David Claypoole Johnston (d. 1865)
1833 · Hand-colored lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci (d. 1519)
ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
10028--Preparedness--Sammies on Guard at Roosevelt Irrigation Dam, near Pheonix, Arizona
Unknown
1860s–80s · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Preparedness
Paul Wayland Bartlett (d. 1925)
1915–16, cast 1916 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nkisi (power figure) with dog and rider
Kongo artist and nganga (ritual specialist)
19th–first half of 20th century · Wood, resin, glass, pigment
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.