
Fragment of a terracotta neck-amphora (jar)
Prometheus Painter
ca. 575–560 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1007 ms. The Metropolitan Museum of Art, Collection API (Open Access)
515 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 41 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment of a terracotta neck-amphora (jar)
Prometheus Painter
ca. 575–560 BCE · Terracotta
Cleared · Public Domain
live
Prometheus
Pierre Roche (d. 1922)
c. early 1900s · Print, gypsograph
Cleared · CC0
live
Terracotta neck-amphora (storage jar)
Prometheus Painter
ca. 570–560 BCE · Terracotta
Cleared · Public Domain
live
Neck-amphora, Tyrrhenian fragments
Prometheus Painter
ca. 575–550 BCE · Terracotta
Cleared · Public Domain
live
Prometheus
Sebastiano de' Valentinis (d. 1558)
1558 · Etching with touches of drypoint
Cleared · Public Domain
live
Prometheus (or Tityus)
Vincenzo Camuccini (d. 1844)
1795–1844 · Lead graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Neck-amphora, Tyrrhenian, fragmentary
Prometheus Painter
ca. 560 BCE · Terracotta
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Terracotta neck-amphora (storage jar)
Prometheus Painter
ca. 570–560 BCE · Terracotta
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Der Schlechtgefesselte Prometheus
André Gide (d. 1951)
1909
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for Prometheus
Kurt Seligmann (d. 1962)
1946 · Pen and black ink on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prometheus and Vulture
Koren Der Harootian (d. 1991)
1948 · Marble
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prometheus Fountain
Harold Frank Collinson (d. 1955)
mid 20th century · Etching and drypoint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.