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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    2845 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    233 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 30 matching records exist across the two collections.

Results for "Quinton"11 records

Institutions answered newest-first by record, interleaved

Portrait of a Woman by Quinten Massys, The Metropolitan Museum of Art

Portrait of a Woman

Quinten Massys (d. 1530)

ca. 1520 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Magi by Quinten Massys, The Metropolitan Museum of Art

The Adoration of the Magi

Quinten Massys (d. 1530)

1526 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of a Man by Quinten Massys, The Metropolitan Museum of Art

Portrait of a Man

Quinten Massys (d. 1530)

1530 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Quinton d'Amore by Mathurin-François Remy, The Metropolitan Museum of Art

Quinton d'Amore

Mathurin-François Remy (d. 1825)

1755 · Maple, spruce

Cleared · Public Domain

live
The MetSimilar
Quinton by Peter Wamsley, The Metropolitan Museum of Art

Quinton

Peter Wamsley

ca. 1750 · Wood

Cleared · Public Domain

live
The MetSimilar
John Milton by George Quinton, The Metropolitan Museum of Art

John Milton

George Quinton (d. 1800)

August 1, 1797 · Stipple engraving

Cleared · Public Domain

live
The MetSimilar
Quinton in Viol Form by an unrecorded maker, The Metropolitan Museum of Art

Quinton in Viol Form

Unrecorded maker

mid to late 18th century · Wood

Cleared · Public Domain

live
The MetSimilar
Quinton d'Amore by Jean Colin, The Metropolitan Museum of Art

Quinton d'Amore

Jean Colin (d. 1770)

ca. 1750–1800 · Wood, ebony, bone

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Architettura Con Diversi Ornamenti: Libro Secondo- Libro Quinto

Giovanni Battista Montano (d. 1621)

1684

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Quinton Window and Picture Glass Revised Price List

Hires & Co. (d. 1950)

1883 · Illustrations: commercial printing process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A London Garland, Selected from Five Centuries of English Verse, with Pictures by Members of the Society of Illustrators

William Ernest Henley (d. 1903)

1895 · Illustrations: etching, process and photoreproductive prints

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.