Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    270 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 25 matching records exist across the two collections.

Results for "Quinton in Viol Form"12 records

Institutions answered newest-first by record, interleaved

Elder of the Apocalypse by an unrecorded maker, The Metropolitan Museum of Art

Elder of the Apocalypse

Unrecorded maker

ca. 1100 · Champlevé and cloisonné enamel on gilded copper

Cleared · Public Domain

live
The MetSimilar
Seven String Bass Viol by Nicolas Bertrand, The Metropolitan Museum of Art

Seven String Bass Viol

Nicolas Bertrand (d. 1735)

1720 · Maple, spruce

Cleared · Public Domain

live
The MetSimilar
Viola d'Amore by an unrecorded maker, The Metropolitan Museum of Art

Viola d'Amore

Unrecorded maker

1733 · Brass, wood, ivory, metal

Cleared · Public Domain

live
The MetSimilar
Mute Viola d'Amore by Daniel Achatius Stadlmann, The Metropolitan Museum of Art

Mute Viola d'Amore

Daniel Achatius Stadlmann (d. 1744)

mid-18th century · Wood

Cleared · Public Domain

live
The MetSimilar
Viola by Robert Horne, The Metropolitan Museum of Art

Viola

Robert Horne (d. 1773)

1757 · Wood

Cleared · Public Domain

live
The MetSimilar
Quinton by Peter Wamsley, The Metropolitan Museum of Art

Quinton

Peter Wamsley

ca. 1750 · Wood

Cleared · Public Domain

live
The MetSimilar
Quinton in Viol Form by an unrecorded maker, The Metropolitan Museum of Art

Quinton in Viol Form

Unrecorded maker

mid to late 18th century · Wood

Cleared · Public Domain

live
The MetSimilar
Viola d'Amore by Johannes Florenus Guidantus, The Metropolitan Museum of Art

Viola d'Amore

Johannes Florenus Guidantus (d. 1760)

18th century · Spruce, maple, ebony

Cleared · Public Domain

live
The MetSimilar
Rebec by an unrecorded maker, The Metropolitan Museum of Art

Rebec

Unrecorded maker

18th century · Wood, various materials

Cleared · Public Domain

live
The MetSimilar
Viola d'Amore by Nicolaus Langer, The Metropolitan Museum of Art

Viola d'Amore

Nicolaus Langer (d. 1827)

ca. 1799 · wood

Cleared · Public Domain

live
The MetSimilar
Yankee Bass Viol by William Darracott, Jr., The Metropolitan Museum of Art

Yankee Bass Viol

William Darracott, Jr. (d. 1868)

1861 · Wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Viola d'Amore

Unrecorded maker

19th century · Wood, metal, brass

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.