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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    111 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    263 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Rebab"12 records

Institutions answered newest-first by record, interleaved

Rebab by an unrecorded maker, The Metropolitan Museum of Art

Rebab

Unrecorded maker

late 19th century · Wood, parchment, metal

Cleared · Public Domain

live
The MetSimilar
The invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night by an unrecorded maker, The Cleveland Museum of Art

The invention of musical instruments from the intestines of a monkey, from a Tuti-nama (Tales of a Parrot): Fourteenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rebab by an unrecorded maker, The Metropolitan Museum of Art

Rebab

Unrecorded maker

late 19th century · Wood, leather, shells

Cleared · Public Domain

live
The MetSimilar
The daughter-in-law of the king of Banaras, charmed by the music of a vagabond, comes down to meet him, from a Tuti-nama (Tales of a Parrot): Sixteenth Night by an unrecorded maker, The Cleveland Museum of Art

The daughter-in-law of the king of Banaras, charmed by the music of a vagabond, comes down to meet him, from a Tuti-nama (Tales of a Parrot): Sixteenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rebab by an unrecorded maker, The Metropolitan Museum of Art

Rebab

Unrecorded maker

late 19th century · Wood, parchment

Cleared · Public Domain

live
The MetSimilar
Rebab by an unrecorded maker, The Metropolitan Museum of Art

Rebab

Unrecorded maker

19th century · Wood (nangha ), fabric, metal.

Cleared · Public Domain

live
The MetSimilar
Rebāb by an unrecorded maker, The Metropolitan Museum of Art

Rebāb

Unrecorded maker

19th century · wood, brass, mother-of-pearl, gut, leather, bone, lace

Cleared · Public Domain

live
The MetSimilar
Rebab al-sha'ir ('poet's fiddle') by an unrecorded maker, The Metropolitan Museum of Art

Rebab al-sha'ir ('poet's fiddle')

Unrecorded maker

late 19th century · Wood, parchment, horsehair.

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rebab al-mughanni

Unrecorded maker

late 19th century · wood, hide, iron

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rebab and bow

Unrecorded maker

late 19th century · Wood ,parchment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rebab-Esh-Sha'er

Unrecorded maker

late 19th century · Wood and parchment. One horsehair string.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rebab

Unrecorded maker

late 19th–early 20th century · Wood, vellum, velvet, horn, horsehair

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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