
Redingote
Unrecorded maker
ca. 1787 · silk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
877 ms. The Metropolitan Museum of Art, Collection API (Open Access)
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Redingote
Unrecorded maker
ca. 1787 · silk
Cleared · Public Domain
live
Redingote
Unrecorded maker
1818–20 · silk
Cleared · Public Domain
live
Redingote
House of Worth (d. 1956)
1894 · silk
Cleared · Public Domain
live
Redingote
Unrecorded maker
ca. 1900 · wool
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Incroyable: Chapeau à la Robinson. Cheveux à l’Enfant. Pantalon de Tricot. Bottes à la Hussarde
Horace Vernet (d. 1863)
1814 · Hand colored engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Merveilleuse: Chapeau de Velours, Redingote de Mérinos, doublée d’Astracan
Horace Vernet (d. 1863)
1814 · Hand colored engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Toquet brodé. Redingote garnie en crevés, plate 6 from "Modes de Paris. Costumes d'Enfans"
Anonymous, French, 19th century (d. 1900)
ca. 1810 · Engraving with etching and hand coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of V. Denon in a fur collar, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2
Baron Dominique Vivant Denon (d. 1825)
1873 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of V. Denon in a fur collar, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2
Baron Dominique Vivant Denon (d. 1825)
1873 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gentleman's formal attire
Sergey Sudeykin (d. 1946)
first half 20th century · Graphite, brush and black ink, gouache, watercolor; traces of graphite framing lines
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Redingote
Bergdorf Goodman (d. 9999)
ca. 1969 · fur, silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Redingote
Jean Muir (d. 2007)
1970s · wool, plastic
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.