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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    647 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    532 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 355 matching records exist across the two collections.

Results for "Riding Coat"12 records

Institutions answered newest-first by record, interleaved

Riding Coat by an unrecorded maker, The Metropolitan Museum of Art

Riding Coat

Unrecorded maker

first half 13th century · Silk; weft-faced compound twill (samite)

Cleared · Public Domain

live
The MetSimilar
Mary and Joseph Travel to Bethlehem (folio 24 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier by an unrecorded maker, The Cleveland Museum of Art

Mary and Joseph Travel to Bethlehem (folio 24 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Unrecorded maker

1602–4 · Manuscript, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gentleman and Lady Riding to the Hunt by Lucas Cranach the Elder, The Metropolitan Museum of Art

Gentleman and Lady Riding to the Hunt

Lucas Cranach the Elder (d. 1553)

1553 · Woodcut; third state of three (Hollstein)

Cleared · Public Domain

live
The MetSimilar
Page from the Mirror of Holiness (Mir’at al-quds) by Abd al-Rahim, the Anbarin-Qalam, The Cleveland Museum of Art

Page from the Mirror of Holiness (Mir’at al-quds)

Abd al-Rahim, the Anbarin-Qalam (d. 1630)

c. 1605–10 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Riding coat by an unrecorded maker, The Metropolitan Museum of Art

Riding coat

Unrecorded maker

ca. 1760 · silk, goat hair

Cleared · Public Domain

live
The MetSimilar
A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword by Govardhan, The Cleveland Museum of Art

A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword

Govardhan (d. 1645)

c. 1605–1610 · Painting, gum tempera, ink, and gold on paper, text on verso

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Riding coat by an unrecorded maker, The Metropolitan Museum of Art

Riding coat

Unrecorded maker

ca. 1775 · silk, goat hair

Cleared · Public Domain

live
The MetSimilar
A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword by Govardhan, The Cleveland Museum of Art

A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword

Govardhan (d. 1645)

c. 1605–10 · Painting, gum tempera, ink, and gold on paper, text on verso

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Four Scenes: How to Stop your Horse at Pleasure; Geoffrey Gombado Esq-r.; How to Ride up Hyde Park; A Bit of Blood by Henry William Bunbury, The Metropolitan Museum of Art

Four Scenes: How to Stop your Horse at Pleasure; Geoffrey Gombado Esq-r.; How to Ride up Hyde Park; A Bit of Blood

Henry William Bunbury (d. 1811)

1787 or later · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Redingote by an unrecorded maker, The Metropolitan Museum of Art

Redingote

Unrecorded maker

ca. 1787 · silk

Cleared · Public Domain

live
The MetSimilar
How to turn any Horse, Mare, or Gelding; How to Ride genteel & agreeable down Hill; A Bit of Blood; How to be run away with; How to loose your way; One way to Stop your Horse by Thomas Rowlandson, The Metropolitan Museum of Art

How to turn any Horse, Mare, or Gelding; How to Ride genteel & agreeable down Hill; A Bit of Blood; How to be run away with; How to loose your way; One way to Stop your Horse

Thomas Rowlandson (d. 1827)

March 1, 1803 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Morning Noon and Night by William Heath ('Paul Pry'), The Metropolitan Museum of Art

Morning Noon and Night

William Heath ('Paul Pry') (d. 1840)

1829 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

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