Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    350 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    692 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 363 matching records exist across the two collections.

Results for "Saber"12 records

Institutions answered newest-first by record, interleaved

Saber by an unrecorded maker, The Metropolitan Museum of Art

Saber

Unrecorded maker

10th–13th century · Iron

Cleared · Public Domain

live
The MetSimilar
A Hussar Officer on Horseback by John Singleton Copley, The Cleveland Museum of Art

A Hussar Officer on Horseback

John Singleton Copley (d. 1815)

1812 · Drawing, black and white chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Saber by an unrecorded maker, The Metropolitan Museum of Art

Saber

Unrecorded maker

1522–66 · Steel, gold, fish skin, wood

Cleared · Public Domain

live
The MetSimilar
Saint Martin and the Beggar by an unrecorded maker, The Cleveland Museum of Art

Saint Martin and the Beggar

Unrecorded maker

early 1500s · Sculpture, gilt bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Saber by an unrecorded maker, The Metropolitan Museum of Art

Saber

Unrecorded maker

16th–19th century · Steel, wood

Cleared · Public Domain

live
The MetSimilar
Moi!  je tiens le sabre, et le goupillon; toi la faucille, le marteau et ler pastel.  C'est la barbe. by Hermann Paul, The Cleveland Museum of Art

Moi! je tiens le sabre, et le goupillon; toi la faucille, le marteau et ler pastel. C'est la barbe.

Hermann Paul (d. 1940)

c. 1920s · Print, woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Saber by an unrecorded maker, The Metropolitan Museum of Art

Saber

Unrecorded maker

18th–19th century · Brass, ivory, stones

Cleared · Public Domain

live
The MetSimilar
Saber by an unrecorded maker, The Metropolitan Museum of Art

Saber

Unrecorded maker

16th–19th century · Horn

Cleared · Public Domain

live
The MetSimilar
Saber by an unrecorded maker, The Metropolitan Museum of Art

Saber

Unrecorded maker

Grip and guard, second half of the 17th century; blade, late 18th–19th century · Steel, jade (nephrite), gold, copper, diamond

Cleared · Public Domain

live
The MetSimilar
Saber by an unrecorded maker, The Metropolitan Museum of Art

Saber

Unrecorded maker

hilt, 19th century; blade, 18th–19th century · Steel, gold, horn (rhinoceros)

Cleared · Public Domain

live
The MetSimilar
Saber by an unrecorded maker, The Metropolitan Museum of Art

Saber

Unrecorded maker

blade, 18th–19th century; guard and decoration on blade, 19th century; grip, 18th century · Steel, jade (nephrite), gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saber

Unrecorded maker

17th century · Steel, iron

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.