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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1131 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    269 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 25 matching records exist across the two collections.

Results for "Seven of Hearts, School of Fence, from H"11 records

Institutions answered newest-first by record, interleaved

Sampler by Mary Munro, The Metropolitan Museum of Art

Sampler

Mary Munro (d. 1815)

1788 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Armor (<i>Gusoku</i>) by Bamen Tomotsugu, The Metropolitan Museum of Art

Armor (<i>Gusoku</i>)

Bamen Tomotsugu (d. 1800)

18th century · Iron, lacquer, copper-gold alloy (shakudō), silver, silk, horse hair, ivory

Cleared · Public Domain

live
The MetSimilar
Seven of Hearts, School of Fence, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros. by Kinney Brothers Tobacco Company, The Metropolitan Museum of Art

Seven of Hearts, School of Fence, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros.

Kinney Brothers Tobacco Company (d. 2011)

1889 · Commercial color lithograph

Cleared · Public Domain

live
The MetSimilar
Case (Inrō) with Design of "Nonomiya" (Shrine in the Fields), from The Tale of Genji, chapter 10 (obverse);  Seven Autumn Flowers Growing beside a Torii and Fence, based on "Sakaki," a Chapter from The Tale of Genji (reverse) by an unrecorded maker, The Metropolitan Museum of Art

Case (Inrō) with Design of "Nonomiya" (Shrine in the Fields), from The Tale of Genji, chapter 10 (obverse); Seven Autumn Flowers Growing beside a Torii and Fence, based on "Sakaki," a Chapter from The Tale of Genji (reverse)

Unrecorded maker

19th century · Sprinkled gold lacquer with inlaid mother-of-pearl, pewter,raden; Interior: nashiji and fundame

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Useful, Composed of Ornaments of All Periods and Styles

John Phillip Rinn (d. 1905)

1877 · Photo lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Ding Dong Bell!"―page design

Paul Vincent Woodroffe (d. 1954)

September 19, 1906 · Pen and black ink, watercolor and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"The Jolly Miller"―page design

Paul Vincent Woodroffe (d. 1954)

July 16, 1906 · Pen and black ink, watercolor and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"A Fox Went Out"―second page design

Paul Vincent Woodroffe (d. 1954)

January 23, 1907 · Pen and black ink, graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"List of Songs"―heading design

Paul Vincent Woodroffe (d. 1954)

February 6, 1907 · Pen and black ink, watercolor and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Vault of Denver National Bank, Fisher & Fisher Architects]

Laura Gilpin (d. 1979)

1929 · Platinum-palladium print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Here

Gilbert & George (d. 9999)

1987 · Hand-dyed photographs on thirty-five sheets of paper, in thirty-five artist frames

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.