
Village Fair
Master of the Hermitage Sketchbook (d. 16)
16th century · Brush and gray ink and watercolor
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
233 ms. The Metropolitan Museum of Art, Collection API (Open Access)
390 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,501 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Village Fair
Master of the Hermitage Sketchbook (d. 16)
16th century · Brush and gray ink and watercolor
Cleared · Public Domain
live
Iconographic Sketchbook
Unrecorded maker
c. 1500 · Drawing, ink and watercolor on cotton
Cleared · CC0
live
Sketchbook
John Quincy Adams Ward (d. 1910)
ca. 1860 · Drawings in pen and brown and black ink, graphite, and Conté crayon on off-white wove paper, bound in black coated Bristol board
Cleared · Public Domain
live
Sketchbook
Samuel Prout (d. 1852)
1814 · Bound Volume, graphite with gray and brown wash
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketchbook
William James Glackens (d. 1938)
ca. 1890s–1905 · Conté crayon on paper
In copyright
live
Sketchbook
Sanford Robinson Gifford (d. 1880)
1859 · Bound Volume, graphite
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketchbook
Herbert E. Crowley (d. 1937)
1924 · Cardboard and linen (cover), graphite
In copyright
live
Sketchbook, The Dells, N° 127
Maurice Prendergast (d. 1924)
c. 1919–1921 · Bound Volume, graphite and watercolor
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketchbook
Herbert E. Crowley (d. 1937)
1924 · Cardboard and linen (cover), graphite
In copyright
live
Sketchbook: Norham
Samuel Prout (d. 1852)
1814 · Bound Volume, graphite with gray and brown wash
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketchbook
Herbert E. Crowley (d. 1937)
early 20th century · Cardboard and cloth (cover), graphite and ink on paper
In copyright
live
Studies of a Seated Female, Child's Head, and Three Studies of a Baby
Raphael (d. 1520)
c. 1507–8 · Drawing, metalpoint
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.