
Portrait of a Woman and an Enslaved Servant
Nicolas de Largillierre (or Largillière) (d. 1746)
1696 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
404 ms. The Metropolitan Museum of Art, Collection API (Open Access)
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,043 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Portrait of a Woman and an Enslaved Servant
Nicolas de Largillierre (or Largillière) (d. 1746)
1696 · Oil on canvas
Cleared · Public Domain
live
A Portrait of Farhad Khan
Unrecorded maker
ca. 1680 · Opaque watercolor and gold on paper
Cleared · Public Domain
live
Salver
Thomas Hamersley (d. 1781)
ca. 1760 · Silver
Cleared · Public Domain
live
Triumfa España en las Americas (The Triumph of Spain in the Americas)
Unrecorded maker
late 18th century · Cotton, block printed
Cleared · Public Domain
live
Slaverers
Thomas Rowlandson (d. 1827)
1799–1800 · Etching, hand-colored
Cleared · Public Domain
live
Abolitionist Jug
Unrecorded maker
ca. 1820 · Pearlware (glazed earthenware) with transfer-printed and luster decoration
Cleared · Public Domain
live
Plate
Unrecorded maker
ca. 1837–ca. 1840 · Earthenware, transfer-printed
Cleared · Public Domain
live
Wilson, Branded Slave from New Orleans
Charles Paxson (d. 1869)
1863 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
John Bull Taking a Clear View of the "Negro Slavery" Question!!
Isaac Robert Cruikshank (d. 1856)
July 1826 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[First Amendment]
Unrecorded maker
ca. 1837–ca. 1840 · Earthenware, transfer-printed
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
African/American
Kara Walker (d. 9999)
1998 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lynch Law in America
Cameron Rowland (d. 9999)
2021 · Painted steel and plastic
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.