
Spectacles
Unrecorded maker
19th century · horn, leather
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
759 ms. The Metropolitan Museum of Art, Collection API (Open Access)
471 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,368 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Spectacles
Unrecorded maker
19th century · horn, leather
Cleared · Public Domain
live
Spectacles
John Peirce
c. 1816–1820 · Silver, silver
Cleared · CC0
live
Spectacles
Unrecorded maker
probably 19th century · glass, metal
Cleared · Public Domain
live
Nathaniel Olds
Jeptha Homer Wade (d. 1890)
1837 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Spectacle case with two pairs of spectacles
Unrecorded maker
ca. 1750–56 · Gold, enamel, diamond
In copyright
live
Self-Portrait
Camille Pissarro (d. 1903)
c. 1890–91 · Print, zinc etching with aquatint on light tan wove paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Elderly Man Wearing Spectacles]
Unknown
ca. 1850 · Daguerreotype
In copyright
live
The Burning of the Houses of Lords and Commons, 16 October 1834
Joseph Mallord William Turner (d. 1851)
1835 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Man Wearing Rounded Spectacles, Florida]
Walker Evans (d. 1975)
1934 · Film negative
In copyright
live
Tobias Healing His Father's Blindness
Rembrandt van Rijn (d. 1669)
c. 1640–45 · Drawing, Pen and brown ink, touched with white gouache; framing lines in pen and brown ink
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Spectacles
Unrecorded maker
1700–1940 · [no medium available]
In copyright
live
The Crucifixion of Saint Andrew
Caravaggio (d. 1610)
1606–7 · Painting, oil on canvas
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.