Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    498 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    413 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Sugriva"11 records

Institutions answered newest-first by record, interleaved

"Rama Receives Sugriva and Jambavat, the Monkey and Bear Kings", Folio from a Ramayana by an unrecorded maker, The Metropolitan Museum of Art

"Rama Receives Sugriva and Jambavat, the Monkey and Bear Kings", Folio from a Ramayana

Unrecorded maker

ca. 1605 · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Sugriva by an unrecorded maker, The Cleveland Museum of Art

Sugriva

Unrecorded maker

c. 1720 · Painting, Gum tempera, ink, and hand-colored silver paper appliqué on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Hanuman before Rama and Lakshmana: Folio from the dispersed “Mankot" Ramayana series by an unrecorded maker, The Metropolitan Museum of Art

Hanuman before Rama and Lakshmana: Folio from the dispersed “Mankot" Ramayana series

Unrecorded maker

ca. 1710–25 · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Sugriva challenges his brother Vali, King of the Forest Dwellers, to a duel, folio 10 from the Kishkindha Kanda (Book of Kishkindha) of a Ramayana (Rama’s Journey) by an unrecorded maker, The Cleveland Museum of Art

Sugriva challenges his brother Vali, King of the Forest Dwellers, to a duel, folio 10 from the Kishkindha Kanda (Book of Kishkindha) of a Ramayana (Rama’s Journey)

Unrecorded maker

c. 1700–1720 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lakshmana and Sugriva Being Carried by Palanquin to Receive Rama's Blessings: Folio from the dispersed “Mankot" Ramayana series by an unrecorded maker, The Metropolitan Museum of Art

Lakshmana and Sugriva Being Carried by Palanquin to Receive Rama's Blessings: Folio from the dispersed “Mankot" Ramayana series

Unrecorded maker

ca. 1710–25 · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Hanuman with Rama and Lakshmana on his shoulders, from a Kalighat album by an unrecorded maker, The Cleveland Museum of Art

Hanuman with Rama and Lakshmana on his shoulders, from a Kalighat album

Unrecorded maker

c. 1890 · Painting, Gum tempera, graphite, ink, and tin on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rama Releases the Demon Spies Shuka and Sarana: Folio from the Siege of Lanka series by Manaku, The Metropolitan Museum of Art

Rama Releases the Demon Spies Shuka and Sarana: Folio from the Siege of Lanka series

Manaku (d. 1770)

ca. 1725 · Opaque watercolor, ink and gold on paper

Cleared · Public Domain

live
The MetSimilar
Rama and Sita in the royal palace (recto), from a Kalighat album by Shri Gobinda Chandra Roy, The Cleveland Museum of Art

Rama and Sita in the royal palace (recto), from a Kalighat album

Shri Gobinda Chandra Roy

c. 1890 · Print, Woodcut, hand colored with gum tempera

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Monkey King Vali's Funeral Pyre: Illustrated folio from a dispersed Ramayana series by Nainsukh, The Metropolitan Museum of Art

The Monkey King Vali's Funeral Pyre: Illustrated folio from a dispersed Ramayana series

Nainsukh (d. 1778)

ca. 1780 · Ink, opaque watercolor, silver, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Building the Bridge to Lanka by an unrecorded maker, The Metropolitan Museum of Art

Building the Bridge to Lanka

Unrecorded maker

ca. 1800 · Ink and wash with translucent watercolor on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vibhishana in the Camp of Rama, folio from a Ramayana series

Unrecorded maker

ca. 1700 · Opaque watercolor and gold on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.