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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    409 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    527 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 82 matching records exist across the two collections.

Results for "Tar"12 records

Institutions answered newest-first by record, interleaved

Tar by an unrecorded maker, The Metropolitan Museum of Art

Tar

Unrecorded maker

late 19th Century · Wood, skin, metal, gut, mother-of-pearl

Cleared · Public Domain

live
The MetSimilar
The Boatyard by Jean-Charles Cazin, The Cleveland Museum of Art

The Boatyard

Jean-Charles Cazin (d. 1901)

c. 1875 · Painting, oil on fabric

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tar by an unrecorded maker, The Metropolitan Museum of Art

Tar

Unrecorded maker

late 19th Century · wood, skin, metal, mother-of-pearl

Cleared · Public Domain

live
The MetSimilar
Tār by an unrecorded maker, The Metropolitan Museum of Art

Tār

Unrecorded maker

19th century · wood, lamb skin?, wire, gut, metal, bone

Cleared · Public Domain

live
The MetSimilar
Tar by an unrecorded maker, The Metropolitan Museum of Art

Tar

Unrecorded maker

late 19th century · wood, skin

Cleared · Public Domain

live
The MetSimilar
Tar by an unrecorded maker, The Metropolitan Museum of Art

Tar

Unrecorded maker

19th century · Wood, brass, parchment, leather

Cleared · Public Domain

live
The MetSimilar
Tar by an unrecorded maker, The Metropolitan Museum of Art

Tar

Unrecorded maker

late 19th century · Wood, metal

Cleared · Public Domain

live
The MetSimilar
Tar by an unrecorded maker, The Metropolitan Museum of Art

Tar

Unrecorded maker

late 19th century · Wood, skin, metal

Cleared · Public Domain

live
The MetSimilar
Tār by an unrecorded maker, The Metropolitan Museum of Art

Tār

Unrecorded maker

late 19th century · Wood, skin, ivory

Cleared · Public Domain

live
The MetSimilar
Tār-e Jorre (small tār) by an unrecorded maker, The Metropolitan Museum of Art

Tār-e Jorre (small tār)

Unrecorded maker

late 19th century · Wood, skin, metal, mother of pearl

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tar

Unrecorded maker

late 19th century · Wood, strings

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tar

Unrecorded maker

second half 19th century · Wood, hide

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.