Virgin and Child with the Young Saint John the Baptist
Unrecorded maker
ca. 1525–50 · Marble, partially gilt
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
645 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
665 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 43 matching records exist across the two collections.
Results for "The Favourite Cat and De La-Tour Painter"12 records
Institutions answered newest-first by record, interleaved
Christ and the Two Thieves Crucified
Michelangelo Buonarroti (d. 1564)
ca. 1560–70 · Bronze
Cleared · Public Domain
liveThe MetSimilar
Ewer
Antoine Pavie (d. 1727)
ca. 1710 · Soft-paste porcelain decorated in underglaze blue
Cleared · Public Domain
liveThe MetSimilar
Holy Family with Saint Anne
French Painter
early 17th century · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Mantel clock (pendule de chiminée)
Paul Gudin Le Jeune (d. 1755)
clock ca. 1750, figures decorated ca. 1737/38 · Case: hard-paste and soft-paste porcelain, with gilded-bronze mounts; Dial: white enamel with blue numerals for hours and blue numerals for minutes; Movement: brass and steel
Cleared · Public Domain
liveThe MetSimilar
View of Messina Harbor
Louis François Cassas (d. 1827)
1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink
Cleared · Public Domain
liveThe MetSimilar
Charles-Louis de Secondat (1689–1755), baron de La Brède et de Montesquieu
Sèvres Manufactory (d. 9999)
ca. 1784 · Hard-paste biscuit porcelain
Cleared · Public Domain
liveThe MetSimilar
Visitors leaving a prison
Hubert Robert (d. 1808)
1794–95 · Pen and dark gray ink, brush and gray wash with watercolor over black chalk underdrawing; framing lines in pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
Coin cabinet
Charles Percier (d. 1838)
ca. 1809–19 · Mahogany (probably Swietenia mahagoni), applied and inlaid silver
Cleared · Public Domain
liveThe MetSimilar
The Favourite Cat and De La-Tour Painter
John Kay (d. 1826)
1813 · Etching, engraving and mezzotint
Cleared · Public Domain
liveThe MetSimilar
Venus
Unrecorded maker
early 19th century · Bronze
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Picasso's meninas, from ¦Hommage à Picasso¦ portfolio
Richard Hamilton (d. 2011)
1973 · Hard, soft-ground and stipple etching, roulette, open-bite and lift-ground aquatint, drypoint and burnishing
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.