Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    270 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,423 matching records exist across the two collections.

Results for "Venus"12 records

Institutions answered newest-first by record, interleaved

Venus by an unrecorded maker, The Metropolitan Museum of Art

Venus

Unrecorded maker

early 16th century · Bronze, with yellow-brown natural patina

Cleared · Public Domain

live
The MetSimilar
Cupid Complaining to Venus by Peter Flötner, The Cleveland Museum of Art

Cupid Complaining to Venus

Peter Flötner (d. 1546)

c. 1540–46 · Sculpture, lead

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Crouching Venus by Giambologna, The Metropolitan Museum of Art

Crouching Venus

Giambologna (d. 1608)

17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Venus and Cupid in a Chariot by Guercino, The Cleveland Museum of Art

Venus and Cupid in a Chariot

Guercino (d. 1666)

1615–17 · Drawing, Pen and brown ink and brush and brown wash over red chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Venus by Meissen Manufactory, The Metropolitan Museum of Art

Venus

Meissen Manufactory (d. 9999)

ca. 1744 · Hard-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Venus with a Burning Urn by an unrecorded maker, The Cleveland Museum of Art

Venus with a Burning Urn

Unrecorded maker

c. 1500–1520 · Sculpture, gilt bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Venus by Massimiliano Soldani, The Metropolitan Museum of Art

Venus

Massimiliano Soldani (d. 1740)

18th century · Bronze, on later wood base

Cleared · Public Domain

live
The MetSimilar
Venus after the Bath by Giambologna, The Cleveland Museum of Art

Venus after the Bath

Giambologna (d. 1608)

c. 1600 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Venus by Claude Desbatisse, The Metropolitan Museum of Art

Venus

Claude Desbatisse (d. 1761)

18th century · Statuette: white marble; base: rouge de Flandre marble

Cleared · Public Domain

live
The MetSimilar
Venus Reclining in a Landscape by Giulio Campagnola, The Cleveland Museum of Art

Venus Reclining in a Landscape

Giulio Campagnola (d. 1515)

c. 1508–9 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Venus by an unrecorded maker, The Metropolitan Museum of Art

Venus

Unrecorded maker

early 19th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Mars, Minerva, Venus, and Cupid by Valerio Belli, The Cleveland Museum of Art

Mars, Minerva, Venus, and Cupid

Valerio Belli (d. 1546)

early 1500s · Sculpture, rock crystal intaglio, gilded from reverse with gold and silver, backed with lapis lazuli, mounted in a gold pendant

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.