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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    363 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    362 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "The Lumber Yard at Fukagawa"9 records

Institutions answered newest-first by record, interleaved

Westminster Bridge, the Surrey side by Samuel Scott, The Metropolitan Museum of Art

Westminster Bridge, the Surrey side

Samuel Scott (d. 1772)

ca. 1750 · Watercolor and black chalk, with touches of pen and ink

Cleared · Public Domain

live
The MetSimilar
Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) by Katsushika Hokusai, The Metropolitan Museum of Art

Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai (d. 1849)

ca. 1830–32 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Clearing with a lumber mill by John Middleton, The Metropolitan Museum of Art

Clearing with a lumber mill

John Middleton (d. 1856)

1847 (?) · Watercolor over graphite

Cleared · Public Domain

live
The MetSimilar
The Lumber Yard at Fukagawa by Utagawa Hiroshige, The Metropolitan Museum of Art

The Lumber Yard at Fukagawa

Utagawa Hiroshige (d. 1858)

1856 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Marseille by Edouard Baldus, The Metropolitan Museum of Art

Marseille

Edouard Baldus (d. 1889)

late 1850s (?) · Albumen silver print from paper negative

Cleared · Public Domain

live
The MetSimilar
Chantier de Bois a Bruler by Victor Adam, The Metropolitan Museum of Art

Chantier de Bois a Bruler

Victor Adam (d. 1866)

19th century · Lithograph

Cleared · Public Domain

live
The MetSimilar
View of Poestenkill, New York by Joseph H. Hidley, The Metropolitan Museum of Art

View of Poestenkill, New York

Joseph H. Hidley (d. 1872)

ca. 1870 · Oil on wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

First Mariners Methodist Episcopal Church in Cherry Street, New York

G. & W. Endicott (d. 1848)

after 1844 · Lithograph with tint stone and hand colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Afternoon in the Barnyard

Dayton Brandfield (d. 1993)

1935–43 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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