Venus Marina
Girolamo Campagna (d. 1625)
late 16th century–early 17th century · Bronze
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
144 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
355 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 193 matching records exist across the two collections.
Results for "The Reverse of Venus 5"12 records
Institutions answered newest-first by record, interleaved
Venus in her Chariot from a set of Mythological Subjects after Raphael
Raphael (Raffaello Sanzio or Santi) (d. 1520)
designed 1686, woven 1689–92 · Wool, silk, silver thread (23-26 warps per inch, 10-11 per cm.)
Cleared · Public Domain
liveThe MetSimilar
Andiron with figure of Venus (one of a pair)
Girolamo Campagna (d. 1625)
possibly early 17th century · Bronze
Cleared · Public Domain
liveThe MetSimilar
Crouching Venus
Giambologna (d. 1608)
17th century · Bronze
Cleared · Public Domain
liveThe MetSimilar
Temple of Venus
Meissen Manufactory (d. 9999)
ca. 1727–28 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
liveThe MetSimilar
Crouching Venus
Unrecorded maker
second half 18th century · Bronze
Cleared · Public Domain
liveThe MetSimilar
Venus
Massimiliano Soldani (d. 1740)
18th century · Bronze, on later wood base
Cleared · Public Domain
liveThe MetSimilar
Venus and Cupid
Tiziano Aspetti (d. 1607)
19th century · Bronze, on marble base
Cleared · Public Domain
liveThe MetSimilar
Venus chastening Cupid
Giovanni Francesco Susini (d. 1653)
Late 19th century · Bronze
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17e: Venus Disarming Cupid; the goddess on the left, seated in front of a herm, holding aloft a bow out of Cupid's reach
Andrea Schiavone (Andrea Meldola) (d. 1563)
1535–40 · Etching and drypoint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venus and Mars Gondola Cup
Unrecorded maker
1600–1650 · Lead-glazed earthenware
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Reverse of Venus 5
Saul Villa (d. 9999)
1986 · Oil on canvas and wood
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.