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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    226 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "The Vision of Hell (Inferno)"12 records

Institutions answered newest-first by record, interleaved

Christ's Descent into Hell by Hieronymus Bosch, The Metropolitan Museum of Art

Christ's Descent into Hell

Hieronymus Bosch (d. 1516)

1560 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
The Hell Courtesan by Utagawa Kunisada II, The Metropolitan Museum of Art

The Hell Courtesan

Utagawa Kunisada II (d. 1880)

late 1850s · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
The Vision of Hell (Inferno) by Dante Alighieri, The Metropolitan Museum of Art

The Vision of Hell (Inferno)

Dante Alighieri (d. 1321)

1866 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Ugolino and his Sons: Fifth Day (recto); Dante and Virgil: Anatomical Studies (verso) by Auguste Rodin, The Metropolitan Museum of Art

Ugolino and his Sons: Fifth Day (recto); Dante and Virgil: Anatomical Studies (verso)

Auguste Rodin (d. 1917)

ca. 1875–1880 · Pen and brown ink, graphite, and traces of brown ink wash on graph paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dante and Virgil, with the vision of Beatrice, an illustration to Dante's Inferno, Canto II

Anonymous, Italian, Florentine, 15th century (d. 1500)

1481 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Moral Emblems: The Pleasures of the World

Etienne Delaune (d. 1583)

1580 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Vision of Hell, and a Discovery of some of the Consultations and Devices there, in the year 1767

Jacob Green [Theodorus van Shemain] (d. 1790)

1773 · Illustrations: metalcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Vision of Hell. New Edition

Dante Alighieri (d. 1321)

1866

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Broadside with 48 scenes relating to Las calderas de Pedro Botero (the inferno/hell of Pedro Botero), number 21

Anonymous, Spanish, 19th century (d. 1900)

ca. 1870–1900 · Etching and letterpress

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inferno

Franz von Stuck (d. 1928)

1908 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hall of Enma, the King of Hell

Tomioka Tessai (d. 1924)

1919 · Hanging scroll; ink and color on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Falling Man

Auguste Rodin (d. 1917)

modeled ca. 1882, cast 1982 · Bronze

In copyright

live
The MetSimilar

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2. Read the arithmetic

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