Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    415 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 91 matching records exist across the two collections.

Results for "Three Muses and a Gesturing Putto, from"12 records

Institutions answered newest-first by record, interleaved

Three Muses and a Gesturing Putto by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Gesturing Putto

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a Putto with a Lyre by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Putto with a Lyre

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738–39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738–39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a Putto with Cymbals, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Putto with Cymbals, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses seated underneath a flying putto who gestures downward, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses seated underneath a flying putto who gestures downward, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

ca. 1560–69 · Engraving

Cleared · Public Domain

live
The MetSimilar
Putto by an unrecorded maker, The Metropolitan Museum of Art

Putto

Unrecorded maker

second half 18th century · Polychromed terracotta

Cleared · Public Domain

live
The MetSimilar
Putto by an unrecorded maker, The Metropolitan Museum of Art

Putto

Unrecorded maker

second half 18th–mid-19th century · Terracotta

Cleared · Public Domain

live
The MetSimilar
Reclining putto by Andrea del Verrocchio, The Metropolitan Museum of Art

Reclining putto

Andrea del Verrocchio (d. 1488)

probably 19th century · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An old man seated on a rock and gesturing towards three men, from "Figurine"

Salvator Rosa (d. 1673)

ca. 1656–57 · Etching and drypoint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.