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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    615 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    632 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 100 matching records exist across the two collections.

Results for "Two acrobats"12 records

Institutions answered newest-first by record, interleaved

Bronze statuette of an acrobat by an unrecorded maker, The Metropolitan Museum of Art

Bronze statuette of an acrobat

Unrecorded maker

3rd–2nd century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Carnival in the Snow by Paul Klee, The Cleveland Museum of Art

Carnival in the Snow

Paul Klee (d. 1940)

1923 · Drawing, watercolor

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lidded Vessel by an unrecorded maker, The Metropolitan Museum of Art

Lidded Vessel

Unrecorded maker

3rd–4th century · Ceramic, slip, pigment

Cleared · Public Domain

live
The MetSimilar
Blackwork Designs with Acrobats, Butterflies and Other Insects, Plate 3 from a Series of Blackwork Ornaments combined with Figures, Birds, Animals and Flowers by Meinert Gelijs, The Metropolitan Museum of Art

Blackwork Designs with Acrobats, Butterflies and Other Insects, Plate 3 from a Series of Blackwork Ornaments combined with Figures, Birds, Animals and Flowers

Meinert Gelijs

after 1622 · Blackwork and engraving

Cleared · Public Domain

live
The MetSimilar
Thirty-six Acrobats in Six Groups by Stefano della Bella, The Metropolitan Museum of Art

Thirty-six Acrobats in Six Groups

Stefano della Bella (d. 1664)

1652 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Two Torchères by Juan Dolivar, The Metropolitan Museum of Art

Two Torchères

Juan Dolivar (d. 1692)

1692 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Camel from a set of five Grotesques by Jean-Baptiste Monnoyer, The Metropolitan Museum of Art

The Camel from a set of five Grotesques

Jean-Baptiste Monnoyer (d. 1699)

designed ca. 1688, woven ca. 1690–1711 · Wool, silk (21-27 warps per inch, 8-9 per cm.)

Cleared · Public Domain

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The MetSimilar
Scene of Contemporary Life: The Acrobats by Giovanni Domenico Tiepolo, The Metropolitan Museum of Art

Scene of Contemporary Life: The Acrobats

Giovanni Domenico Tiepolo (d. 1804)

1727–1804 · Pen and dark brown ink, brush and brown wash, over traces of black chalk

Cleared · Public Domain

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The MetSimilar
Acrobats by an unrecorded maker, The Metropolitan Museum of Art

Acrobats

Unrecorded maker

ca. 1800s · Handscroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two acrobats

José Guadalupe Posada (d. 1913)

ca. 1880–1910 · Zincograph

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saltimbanques

Pablo Picasso (d. 1973)

1905, printed 1913 · Drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gilding the Acrobats

Paul Cadmus (d. 1999)

1935 · Tempera and oil on Masonite

In copyright

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The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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