Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1988 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    289 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,739 matching records exist across the two collections.

Results for "Wig"12 records

Institutions answered newest-first by record, interleaved

Wig rings of Sithathoryunet, on a modern wig by an unrecorded maker, The Metropolitan Museum of Art

Wig rings of Sithathoryunet, on a modern wig

Unrecorded maker

ca. 1887–1813 B.C. · Gold

Cleared · Public Domain

live
The MetSimilar
Head of Amenhotep III Wearing the Round Wig by an unrecorded maker, The Cleveland Museum of Art

Head of Amenhotep III Wearing the Round Wig

Unrecorded maker

c. 1391–1353 BCE · Sculpture, brown quartzite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Wig fragment by an unrecorded maker, The Metropolitan Museum of Art

Wig fragment

Unrecorded maker

ca. 1290–1224 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Sidelocks and Elements of Wig Decoration by an unrecorded maker, The Cleveland Museum of Art

Sidelocks and Elements of Wig Decoration

Unrecorded maker

1980–1801 BCE · Jewelry, Electrum (?) over a calcite gesso; silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Wig by an unrecorded maker, The Metropolitan Museum of Art

Wig

Unrecorded maker

ca. 1051–1002 BCE · Hair (probably human), beeswax

Cleared · Public Domain

live
The MetSimilar
Nathaniel Hurd by John Singleton Copley, The Cleveland Museum of Art

Nathaniel Hurd

John Singleton Copley (d. 1815)

c. 1765 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Wig rest by an unrecorded maker, The Metropolitan Museum of Art

Wig rest

Unrecorded maker

ca. 1720 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Wig (uyembe matota, wiyembe, or pulumba) by an unrecorded maker, The Cleveland Museum of Art

Wig (uyembe matota, wiyembe, or pulumba)

Unrecorded maker

early to mid 1900s · Garment, Plant fiber, pelt, and clay

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Wig by an unrecorded maker, The Metropolitan Museum of Art

Wig

Unrecorded maker

early 19th century · hair

Cleared · Public Domain

live
The MetSimilar
Element of Wig Decoration by an unrecorded maker, The Cleveland Museum of Art

Element of Wig Decoration

Unrecorded maker

1980–1801 BCE · Jewelry, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Wig bag by an unrecorded maker, The Metropolitan Museum of Art

Wig bag

Unrecorded maker

1830–40 · Silk

Cleared · Public Domain

live
The MetSimilar
Element of Wig Decoration by an unrecorded maker, The Cleveland Museum of Art

Element of Wig Decoration

Unrecorded maker

1980–1801 BCE · Jewelry, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.