Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    103 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    356 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 82 matching records exist across the two collections.

Results for "[Tangiers]"12 records

Institutions answered newest-first by record, interleaved

Tangiers, a group of men seated near an arch by Mariano Fortuny, 1838–1874, The Metropolitan Museum of Art

Tangiers, a group of men seated near an arch

Mariano Fortuny, 1838–1874 (d. 1874)

ca. 1861 · Etching

Cleared · Public Domain

live
The MetSimilar
Tangiers by Mariano Fortuny, The Cleveland Museum of Art

Tangiers

Mariano Fortuny (d. 1874)

1861 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tangiers, a group of men seated near an arch by Mariano Fortuny, 1838–1874, The Metropolitan Museum of Art

Tangiers, a group of men seated near an arch

Mariano Fortuny, 1838–1874 (d. 1874)

ca. 1861 · Etching

Cleared · Public Domain

live
The MetSimilar
Camels Reposing, Tangiers by Mariano Fortuny Marsal, The Metropolitan Museum of Art

Camels Reposing, Tangiers

Mariano Fortuny Marsal (d. 1874)

1865 · Watercolor over graphite on off-white paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Preparatory sketch for the Snake Charmer at Tangiers

Louis C. Tiffany (d. 1933)

ca. 1872 · Oil on canvas mounted on board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Tangiers]

A. Cavilla

1880s–90s · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Mosque, Tangiers

B. J. O. Nordfeldt (d. 1955)

1910 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Market Place, Tangiers

Ely Jacques Kahn (d. 1972)

1911 · Watercolor with graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arab Coffee House, Tangiers

Louis Conrad Rosenberg (d. 1983)

1925 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Market Day, Tangiers

Westley Manning (d. 1941)

1927–30 · Etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fez Gate, Tangiers

Louis Conrad Rosenberg (d. 1983)

1925 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gypsy Madonna, Tangiers

Paul Ashbrook (d. 1949)

1931 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.