
Tangiers, a group of men seated near an arch
Mariano Fortuny, 1838–1874 (d. 1874)
ca. 1861 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
456 ms. The Metropolitan Museum of Art, Collection API (Open Access)
307 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 82 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tangiers, a group of men seated near an arch
Mariano Fortuny, 1838–1874 (d. 1874)
ca. 1861 · Etching
Cleared · Public Domain
live
Tangiers
Mariano Fortuny (d. 1874)
1861 · Print, etching
Cleared · CC0
live
Tangiers, a group of men seated near an arch
Mariano Fortuny, 1838–1874 (d. 1874)
ca. 1861 · Etching
Cleared · Public Domain
live
Camels Reposing, Tangiers
Mariano Fortuny Marsal (d. 1874)
1865 · Watercolor over graphite on off-white paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Preparatory sketch for the Snake Charmer at Tangiers
Louis C. Tiffany (d. 1933)
ca. 1872 · Oil on canvas mounted on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Tangiers]
A. Cavilla
1880s–90s · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mosque, Tangiers
B. J. O. Nordfeldt (d. 1955)
1910 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Market Place, Tangiers
Ely Jacques Kahn (d. 1972)
1911 · Watercolor with graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Arab Coffee House, Tangiers
Louis Conrad Rosenberg (d. 1983)
1925 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Market Day, Tangiers
Westley Manning (d. 1941)
1927–30 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fez Gate, Tangiers
Louis Conrad Rosenberg (d. 1983)
1925 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gypsy Madonna, Tangiers
Paul Ashbrook (d. 1949)
1931 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.