No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shoes
Pierre Yantorny (d. 1936)
1914–19 · leather
In copyright
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
857 ms. The Metropolitan Museum of Art, Collection API (Open Access)
546 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 62 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shoes
Pierre Yantorny (d. 1936)
1914–19 · leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oxfords
Thomas
ca. 1927 · Leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Golfing shoes
Unrecorded maker
1925–30 · leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shoes
Mazane
1926–32 · leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shoes
Hill & Novis
ca. 1935 · leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Model No. 424
Steven Arpad (d. 1999)
1939 · leather, wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Brogues
Hurd Shoe Co.
1935–49 · leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oxfords
Hurd Shoe Co.
1940–49 · leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shoes
Delman (d. 9999)
1940–49 · Leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Brogue"
Bonnie Cashin (d. 2000)
fall/winter 1970–71 · Leather, metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shoes
House of Dior (d. 9999)
ca. 1969 · leather, plastic (vinyl)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shoes
Frederic Coomes
fall/winter 2025 · cotton, acrylic paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.