
Raised relief fragment with head of an offering bearer and offerings
Unrecorded maker
664–610 BCE · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
605 ms. The Metropolitan Museum of Art, Collection API (Open Access)
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,600 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Raised relief fragment with head of an offering bearer and offerings
Unrecorded maker
664–610 BCE · Limestone
Cleared · Public Domain
live
Lamp stand
Unrecorded maker
ca. 6th–7th century CE · Bronze
Cleared · Public Domain
live
Round Negoro Tray (Ashitsuki-ban) with Three Feet
Unrecorded maker
15th–16th century · Wood with coatings of red over black lacquer (Negoro ware)
Cleared · Public Domain
live
Round tray on three feet
Unrecorded maker
15th–16th century · Negoro ware, red lacquer
Cleared · Public Domain
live
Incense burner with figures in landscape
Unrecorded maker
1707 · Porcelain painted in underglaze cobalt blue (Jingdezhen ware)
Cleared · Public Domain
live
Pair of candlestands
Unrecorded maker
ca. 1710 · Carved and gilded walnut
Cleared · Public Domain
live
Tray (one of a set)
Doccia Porcelain Manufactory (d. 1896)
1745–47 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
Chamber candlestick
I.S.
first half 18th century · Silver
Cleared · Public Domain
live
Inkstand
John Plimmer (d. 1803)
1802 · Silver
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Africana
Jean Jacques Boissard (d. 1602)
1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for a Brooch and Three Bracelets after Beaugrand's "L'Aigle Impérial" (The Imperial Eagle), created for Empress Eugénie in the Second Empire
Anonymous, French, 19th century (d. 1900)
ca. 1855–70 · Pencil, pen and black ink, watercolor, and gouache on brown buff paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pen Tray
Louis C. Tiffany (d. 1933)
ca. 1910–20 · Favrile glass, bronze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.